Shinechilla v1.5 WiN

TEAM TCD | 17 May 2023 | 6 MB

x64: VST3, VST2, AAX | x86: VST2

Voxengo Shinechilla is an experimental creative harmonic generator effect for professional sound and music production applications, available in AAX, AudioUnit, VST and VST3 plug-in formats (including native 64-bit support), for macOS, and Windows computers. Shinechilla allows you to generate and blend 2nd, 3rd and 4th harmonics with the original dry sound. The harmonic generation process offered by Shinechilla is quite unique on the plugin market since it produces almost no intermodulation distortion. Shinechilla is mainly usable for solo instrument processing where it literally “shines” by producing convincing and full-bodied harmonic coloration. Shinechilla is also unique in that it is able to add harmonic coloration on top of the sound instead of distorting the whole sound. However, the option to saturate the whole sound is also available. The strength of harmonic coloration added by Shinechilla can be flexibly adjusted over the whole frequency range, for each harmonic. In overall, Shinechilla is a great tool for contemporary electronic music producers and sound designers looking for impressive timbres and sounds.

Peakbuster v1.6 WiN

Team TCD | 17 May 2023 | 11.37 MB

x64: VST3, VST2, AAX | x86: VST2 (VST3, AAX not exist)

Peakbuster is an attack-phase boosting and harmonic enhancement AU, AAX, and VST plugin for professional music and sound production applications. Peakbuster is a multi-band transient enhancer effect plug-in that uses an advanced automatic algorithm. Peakbuster stands out from the competition in its ability to always sound natural, even on a full-spectrum master bus. The strength of the effect depends on the material being processed: the algorithm masterfully analyses dynamics of the sound it processes, and applies boosting in quantities that are “exactly right”. Moreover, the algorithm has a suitably “fast” reaction time making its adjustments sound “fluid”, not “over the place”.

Crunchessor v2.19 WiN

Team TCD | 17 May 2023| 6 MB

.: Crunchy Compressor :.

Crunchessor is a track compressor AAX, AudioUnit, and VST plugin for professional sound and music production applications. One of its main advantages is the ease of tuning, which at the same time instantly delivers an excellent sonic performance. Another remarkable feature of Crunchessor is its analog tube-alike processing, which is applied in parallel to compression. This makes Crunchessor an ideal choice for musicians and producers who are fond of analog compression sound and its warmness. Beside this, Crunchessor offers you a selection of compression coloration styles, by itself a pretty unique feature for a compressor. By choosing an appropriate style, you can add the coloration most suitable for the sound material you are working with. As an option, you can disable both coloration and tube processing to get a neutral and clean compression sound. Being a multi-purpose compressor, Crunchessor can be used for any kind of sound material: drums, vocals, bass, guitars, synth sounds, etc. Crunchessor can be suitable both for single track and whole mix processing. Crunchessor also accepts external side-chain source signals and allows you to filter the key signal before it is used for compression.

Soniformer v3.15 WiN

TeamCubeadooby | 04 May 2023 | 6 MB

x64: VST3, VST2, AAX | x86: VST2

Soniformer is a Spectral Mastering Dynamics Processor plugin for professional music production applications. During its operation, Soniformer splits incoming sound signal into multiple spectral bands. This makes Soniformer a powerful and precise tool for mastering and sound restoration purposes. Every parameter in Soniformer is defined by means of a graphical envelope which is freely-modifiable and which may contain any number of control points. Beside usual threshold, attack, release, and compression/expander ratio parameters, Soniformer offers you control over “stereo width” and “panning” parameters making Soniformer an effective tool for stereo-field adjustments.

Voxengo Bundle 2022-4 MAC

MORiA | 18 April 2022 | 483 MB

..:: AU, VST, VST3 (INTEL & ARM) ::..

Voxengo offers you high-quality professional DAW audio plugins: VST plugins, AAX plugins and AU plugins, and sample rate converters. Our goal is to provide user-friendly, robust, and efficient solutions for audio and music production, including mastering and surround sound. Voxengo professional audio plugins will empower your creativity and help improve the quality of your stereo and surround sound audio and music production.

TEOTE v1.14 WiN

TeamCubeadooby | 08 July 2023 | 14.8 MB

.: x64: VST3, VST2, AAX | x86: VST3, VST2 :.

Mastering Balancer Plugin

TEOTE is an automatic spectral balancer plugin for professional music production applications. It was designed to be a very useful tool for both mixing and mastering. It automatically performs such tasks like gentle resonances taming, de-essing, tilt equalizing, usually performed during mixing and mastering. In mixing, TEOTE sounds good on pretty much any material. While by definition TEOTE is a dynamic equalizer, its technology is solely based on multi-band dynamics processing. This allows TEOTE to have only minor phase issues, and to produce a subtle transient-emphasis effect associated with dynamics processing. TEOTE tries to make the program material follow the specified spectral profile, tuned to the contemporary mastering standards by default. It can be said that TEOTE “straightens” the frequency response, making further adjustments a lot easier; it removes a lot of repeating work. Is TEOTE an AI plugin? In a sense that AI usually boils down to a “curve-fitting task”, TEOTE is an AI plugin that performs gain adjustment decisions in a quantity equal to “SampleRate multiplied by BandCount” per second. However, TEOTE does not use neural networks; it is based on an extremely-refined, completely predictable, curve-fitting function.

PHA-979 v2.12 WiN

TEAM TCD | 18 May 2023 | 6 MB

x64: VST3, VST2, AAX | x86: VST2

PHA-979 is useful during mixing sessions, especially when working with the sound material recorded through an array of microphones. In many cases this allows you to solve various phasing problems arising from the microphone placement chosen during the tracking session. In other cases this process may help you to align drums and other instruments to each other bringing punch and time coherence not attainable by the ordinary time-aligning alone.